Notes From The Circus

Notes From The Circus

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Notes From The Circus
Notes From The Circus
The Two Concepts of Wealth

The Two Concepts of Wealth

How the Oligarchic Rejection of Noblesse Oblige Reveals the Battle for the Soul of Civilization

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Mike Brock
Jul 06, 2025
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Notes From The Circus
Notes From The Circus
The Two Concepts of Wealth
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a group of young boys walking down a dirt road
Photo by Dulana Kodithuwakku on Unsplash

We exist in a moment of such profound moral collapse that we sneer at generosity and cheer on selfishness. Nowhere is this vulgarity on greater display than in the grotesque spectacle surrounding USAID cuts, where Bill Gates becomes the villain for making morally urgent points about child mortality, while Elon Musk is celebrated as a hero for possessing the cold calculation necessary to shutter American foreign aid. The notion that some of the world’s most destitute might live, barring these actions, is rendered irrelevant. After all, as Musk has explicitly declared, Western civilization’s fundamental weakness is empathy.

This isn’t a policy disagreement about the effectiveness of foreign aid or the proper scope of government. This is a civilizational choice between two fundamentally incompatible visions of what wealth means and what obligations, if any, it carries. The battle lines have been drawn with crystalline clarity: on one side stands the last vestiges of democratic capitalism, where extreme wealth acknowledges social obligation; on the other, a new oligarchic order that views such obligations as “bugs” to be eliminated from the system.

The real reason Thiel, Musk, and the crypto-oligarchs hate Warren Buffett and Bill Gates isn’t ideology—it’s that they despise the example of noblesse oblige. They reject the very notion that wealth should imply moral or social obligation. Gates and Buffett represent an ethical rebuke to the new oligarchic ethos: that wealth should grant power without responsibility, influence without accountability, privilege without reciprocal duty.

This hatred runs deeper than personal animosity. It represents the philosophical culmination of the anti-democratic ideology I traced in “The Plot Against America”—the systematic rejection of any framework that might constrain oligarchic power with democratic accountability.

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